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God Street Wine Live at Gramercy Theater on 2012-08-17

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God Street Wine Live at Gramercy Theater on 2012-08-17




*** THIS IS A 24 BIT RECORDING, NOT INTENDED FOR MP3 STREAMING, OR CD BURNING ***
*** The normal CD quality version of this show is available for streaming and ***
*** download here: http://archive.org/details/gsw2012-08-17.tlm170.sbd.matrix.flac16 ***

Set 1
1. Frank Messina poetry reading
2. Epilogue
3. A Hammer And A Spike
4. banter - disturbing material
5. Funny Kind Of Love
6. Fortress Of Solitude ->
7. Call It Love
8. Chop! ->
9. The Other Shore ->
10. percussion duet ->
11. The Other Shore ->
12. The Princess Henrietta
13. setbreak announce

Set 2
1. crowd/tuning
2. Thirsty *
3. Change Your Mind
4. Dirty Little Secret
5. She Comes Up Softly ->
6. Crazy Head
7. Girl On Fire ->
8. Driving West ->
9. Goodnight Gretchen ->+
10. Diana
11. banter - thanks
12. encore break
13. banter - 21 years later
14. Edgar's Back In Town
15. Feel Like A Stranger
16. Home Again
17. Won't Get Fooled Again


Collection GodStreetWine
Band/Artist God Street Wine
Venue Gramercy Theater
Location New York, NY

Source SBD + split mic matrix
Lineage Matrix: Neumann TLM-170s (hypercards, center on a stand, just behind the soundboard area) -> Sound Devices 722 (@24/96) + Soundboard recording (also @ 24/96); Processing in SoundForge Pro 10.0d (4 channel time sync; slight "elastique" time stretch applied to SBD which was a few hundredths of a second behind my audience recording; mixdown at 64 bit float/96 khz; 64 bit float->24 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.
Taped by Scott Bernstein and Victor Cornette
Transferred by Scott Bernstein

Notes

* = just Lo & Aaron on acoustic guitars
+ = w/multiple "Two Tickets To Paradise" (Eddie Money) jams

The entirety of Track 1 is patched into my 24/96 master from Scott Brown's 24/96 master (and then processed along my processing path):
DPA 4023 > Grace Design Lunatec V3 > Mytek Stereo 192 @ 24 bit, 96khz > Sound Devices 744; 744T > Apple MacBook Pro > Wave Editor 1.5.7 > xACT 2.20 (5494) > flac. Then FLAC File processing in SoundForge Pro 10.0d (volume normalization / level matching and splicing into my recording; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; Tracked in CDWav.

Also note that the SBD recording is missing the first 1:30 of Frank Messina's poetry, so you will hear the SBD appear in the matrix (cleanly) then. I have matched the volume of the two parts, so it's seamless.

Lineup:
Lo Faber - guitar, vocals
Aaron Maxwell Lieberman - guitar, vocals
John "Bevo" Liebowitz - keys, organ
Dan Pfier - bass, harmony vocals
Tom "Tomo" Osander - drums, harmony vocals
Jason Crosby - keys, organ, violin/fiddle
John Wood - percussion
Lizzie "Loves" Friel - background vocals

Unfortunately I couldn't run my same split-mic setup on this night because I only had 1 mic stand and nobody had any they could lend me...and the venue security would not let me clamp anywhere.

Audience recording by Scott Bernstein. SBD recording by Victor Cornette.

Mixed, mastered, tracked, and posted by Scott Bernstein (11/13-16/2012)


There is a normal CD quality version of this recording with MP3s and streaming available at http://archive.org/details/gsw2012-08-17.tlm170.sbd.matrix.flac16

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